Features

Story

The whole story,
beside the page.

A screenplay is a structure before it is a document. eDraft keeps the structure — scenes, cast, notes — one glance away from the line you are writing.

Scenes

Jump the length of a
hundred pages.

The scene panel lists every scene by number and opening line. Pick one and the page turns for you — no scrolling marathon, no lost place.

Numbered, in order.

Each scene carries its number and slug line, so a note like "fix scene 14" is an address, not a search.

The page follows you.

Moving between scenes keeps your cursor and your context. Return lands exactly where you left.

Scenes
1 INT. THE REX CINEMA, PROJECTION BOOTH - NIGHT
2 INT. THE REX CINEMA, AUDITORIUM - CONTINUOUS
3 EXT. THE REX CINEMA, STREET - NIGHT
4 INT. THE REX CINEMA, PROJECTION BOOTH - LATER

Cast

Characters, gathered
as you write.

Every cue you type joins the cast panel automatically. The people of your story collect themselves — no index cards to maintain, no list to retype.

Born from the page.

The cast is built from your own cues, in the order they appear. A character exists because you wrote them.

Find anyone, fast.

Scan the panel to see who is in the story and jump to their first moment on the page.

Cast
ELIASMARATHE PROJECTIONISTYOUNG MARA

4 characters · collected from cues

Omissions

Omit, don't
delete.

Cutting a scene should not mean losing it. Omitting folds the scene away and leaves a card marked OMITTED in its place — the numbering holds, and the cut is reversible.

The schedule keeps its shape.

Scene numbers are preserved, so the scenes around the cut are never renumbered. Schedules and references stay intact.

Prints clean, restores whole.

An omitted scene does not print or export. Restore it and the scene returns exactly as written — same words, same number.

Deletion stays deliberate.

Omitting is the reversible cut. Deletion remains the one gesture with no undo across saves.

Scenes
3EXT. THE REX CINEMA, STREET - NIGHT
OMITTED 4 Restore anytime — nothing was deleted.
5INT. THE REX CINEMA, AUDITORIUM - DAWN

Notes

Notes that live
in the file.

Margin notes attach to the line they belong to and thread into conversations with yourself. They live in your document — not in a separate app, not on someone else's server.

Attached, not appended.

A note stays anchored to its line as the script moves and grows around it.

Threads, not stickies.

Replies stack into threads, so a passing thought can become a short conversation — and resolve when it is done.

MARA (O.S.)
You kept it.
NOTE

Her first line back — land it quiet, no music.

And she should see the reel before he sees her.

Your next draft starts here.

Open eDraft and make yourself at home.

Start writing