Writing
Formatting that
disappears.
You think in scenes and dialogue. eDraft thinks in margins, indents, and page breaks — and never asks you to.
The flow
Tab is the
only lesson.
Every screenplay element is one keystroke away. Return carries you down the page; Tab moves you across the elements — heading, action, character, dialogue, transition.
Elements follow the cursor.
Start a scene heading and the next Return is action. Name a character and dialogue is waiting. The page reads your intention, not your menu choices.
Scene headings remember.
Locations and INT./EXT. prefixes are carried forward. A new slug line takes a few letters, not a retype — so the mechanics stay beneath the story.
INT. THE REX CINEMA, PROJECTION BOOTH - NIGHT
Dust hangs in the beam of a 35mm projector. ELIAS VANCE, 60s, threads the final reel with surgeon's hands. The auditorium below is empty.
ELIAS
(quietly, to the machine)
One more time. Like we promised.
He flips the shutter. Light floods the booth.
CUT TO:
Suggestions
Help that never
interrupts.
As you type a character cue, eDraft offers the names already in your script. Accept it and keep moving — or keep typing and it steps aside.
Names, completed.
The cast you have written is the dictionary. No cloud service, no generic autocomplete — just your own story, handed back to you.
Shortcuts within reach.
Every common command has a keyboard shortcut, so revision stays physical: select, cut, restore, move on.
The page
A page count
you can trust.
A screenplay page is a minute of screen time. eDraft paginates with the engine — margins, indents, and breaks to spec — so the number at the bottom of the file means something.
Courier, to spec.
Scene headings, cues, and dialogue are set in the classic one-minute page. Nothing to configure, nothing to nudge.
Breaks chosen by the engine.
Page breaks land where a reader expects them — never orphaned mid-scene by the size of your window.
A title page without fuss.
The title page is part of the document, set in the same pass. It prints and exports with the script.
INT. THE REX CINEMA, AUDITORIUM - CONTINUOUS
Rows of vacant seats. On screen, a HOME MOVIE flickers: a birthday party, decades old. A young girl blows out candles.
MARA (O.S.)
You kept it.
Elias doesn't turn. MARA, 30s, stands in the aisle, out of breath.
Your next draft starts here.
Open eDraft and make yourself at home.
Start writing